- When played in concert this song has a hard-extendend ending. Lasts for approximately 45 seconds, but varies.

- Appeared on the Angels in the Flesh and Devils in the Bone album. It appeared after the b-side by about two years.

- Appeared first on the Subject to Change Compilation. This version of the song was recorded entirely different from it's Angels in the Flesh and Devils in the Bone counterpart.

- A cover of The Guess Who's hit song. Played in Floater's earlier years of 1994.

- Usually attached to the ending of The Feast in concert.

- The first track on Sink. Most Floater fans, hope they never see the track, "The End."

- Endless I was first named The Beginning in hopes that the album would feel more conceptual if the last track were titled, "The End." But the first track on Sink already had the name "The Beginning."

- From the album Glyph. "This song's about acid", was Rob's definition.

- A radio single cd. Alcoholic which was previously unreleased appeared on this single. Only 1000 were made, 600 went to radio stations abroad, another 300 went to fans through mail order, and the final 100 were sold at their shows and select record stores in the Northwest. Limited Edition.

- This song was scrapped due to it's similarity to Snowblind. Reportedly was very kick ass.

- Later renamed Endless II for the Angels in the Flesh and Devils in the Bone album.

- In concert Endless I has another chorus, and then goes back to the verse. Adds much to the song. Played acoustically.

- In concert Endless II is played electrically by Dave, and towards the very end, a small hard riff has been included to make the song end with more of a punch. On the album Endless II is mispelled "Endless Ii," which on the album appears as "Endless Li."

- Very commonly this song is played with The Beast in concert, and together they are practically considered one song.

- Floater's second album. To date this album is the crowd's favorite for it's huge hits such as Cinema, Clean Plastic Baby, Persecutor, and The Sad Ballad of Danny Boy. Produced by Floater, mixed by Drew Canulette, and mastered by Kevin Nettleingham.

- Appeared on the Post-Grunge Compilation from Elemental Records. The Post-Edit included Summoning (1) as the intro, and Ah as the ending, extending the song to a full length of 6 minutes and 4 seconds.

- Usually precedes Settling in concert.

- Pronounced "Gee-oh-toe". Gyuto is an older song that plays out like Ah, but has more of a Peter the Destroyer funk to it. Has never been recorded by the band.

- A new song from Floater. May not be performed for some time.

- Faster tempo version of Isolation. Most commonly played before Glyph was released.

- Several jams exist to this date and most can be heard before Floater kicks into The Sad Ballad of Danny Boy, or Clean Plastic Baby. It involves an instrumental collage of distortion, rapid drum beats, and a persistant collaboration between the bass and guitar. No vocals, except for maybe a few grunts.

- Rob told the crowd once that "This song is for anyone who's a pathetic liar like me."

- Appeared on the Stiff and Restless Demo Tape. Later renamed Kill the Girl for their first album "Sink".

- This song deals with one of Rob's friends who came close to death from an overdose of heroin. Once, a while back Rob mentioned "This song is for a friend." Sometimes Jeff Chase, Floater's road manager, comes out on stage towards the end finale and blows forth fire towards the crowd.

- Was known as Dead End. This song used to be the attachment to Oof (Our Hero's Resolve minus Zorba). Now it's commonly played by itself.

- Oof was the combination of the first part from Our Hero's Resolve plus Nothing. Later it was decided for the upcoming album to divide these two into entirely seperate songs.

- Our Hero's Resolve was considered Oof at one time by the fans, but later Nothing (Dead-End) was removed and Zorba was later attached for the album.

- When played in concert nowadays, this song has an extended ending which adds another minute to the cinematic experience. This song also has a new beginning which is much like the original intro, except a slower tempo, and much softer.

- Towards the end of this song, when played in concert, an extension is included to make this song even more intricate. The song is divided into four sections on the album including: The Ascent, Decleration, Peter the Destroyer, and Smoke and Madness.

- To date Floater's only song that requires a keyboard.

- Floater's anthem song, competes with Cinema and Peter the Destroyer for the most requested song by the crowd. Rob said, "This song is for anyone in the crowd who has kids." A Jam version of Danny Boy exists where Floater speeds the pace up a good couple notches. This one is called the "Adrenaline" version.

- Settling has a two-minute extension in concert. Sometimes the Seventeen/Snowblind combo is switched to Seventeen/Settling.

- Commonly followed by Snowblind in concert. Written as "17" on the set list.

- A.K.A. Midnight Ride, when Glyph's second release hit the stores, Silt was renamed Midnight Ride.

- Floater's first album debut. Released through Elemental Records, included a wide variety of songs. The first half of the album was produced by Drew Canulette and Floater. The second half was produced by Floater and Blue Tool. Mastered by Jason Carter.

- Floater's second demo tape release, probably only 50 of these were ever made. Centerfold appeared on this tape.

- A.K.A. Settling, a year after Glyph's release new songs were being made, and this was Settling's first incarnation.

- Commonly played after Seventeen in concert, appeared on Floater's first album "Sink".

- Floater's first Demo Tape. Most likely 100 of these were made. Only 4 songs appeared on this demo.

Later renamed Summoning (1) for Sink's second release.

- Thin Skin was played using a Steinberger by Rob. To perform this song, a screwdriver or a slide was used. This bass guitar is currently out of operation, and thus it remains to be seen if Thin Skin will ever be played again.

- A cover of The Door's song. It's been played a few times live, the last time this one has been played was back in 1996 at the Grand Theater in Salem, Oregon (to my knowledge).

- A song made back in 1997. Not sure if it will ever be played live.

- When this song does get played, it is done acoustically.

- At the ending of Our Hero's Resolve the acoustic part is known as Zorba in concert.